Tomorrow was today. 21 years of video creation and electronic art in Peru. Bilingual edition.
S/ 50.00
By: Jorge Villacorta, José-Carlos Mariátegui, Max Hernández Calvo [ed.]
Publisher: ANDEAN HIGH TECHNOLOGY
Year of publication: 2018
ISBN: 978-612-47935-0-9
Pages: 591
This bilingual edition in English and Spanish brings together a series of essays and reflections on video art in Peru during the first two decades of the 21st century, and the overall impact of new media art on the cultural landscape, as well as its connections to other disciplines and other regional and international initiatives. In this history, as examined in the book's essays, the emergence of video and electronic art festivals in Peru is a key moment in the establishment of a local video art community, which attracted artists from diverse backgrounds and training. But the book also recognizes the vital role played by various projects and organizations that shaped the new media landscape in Peru through their multiple efforts. In that sense, as the title suggests, the new aesthetic dawn sought during the last decade of the 20th century effectively arrived through the combined efforts of many actors at the time, even if it went unrecognized at the time.
Publisher: ANDEAN HIGH TECHNOLOGY
Year of publication: 2018
ISBN: 978-612-47935-0-9
Pages: 591
Other topics covered in the book include the launch of video art competitions, regional initiatives focused on the medium, and the development of specific practices and languages, such as digital cinema, animation, video installation, and video performance. Tomorrow Was Today also includes a timeline of the emergence of video/TV and new media art in Peru, from 1939 to 2015, offering a clear and concise overview of this history.
By: Jorge Villacorta, José-Carlos Mariátegui, Max Hernández Calvo [ed.]
Publisher: ANDEAN HIGH TECHNOLOGY
Year of publication: 2018
ISBN: 978-612-47935-0-9
Pages: 591
This bilingual edition in English and Spanish brings together a series of essays and reflections on video art in Peru during the first two decades of the 21st century, and the overall impact of new media art on the cultural landscape, as well as its connections to other disciplines and other regional and international initiatives. In this history, as examined in the book's essays, the emergence of video and electronic art festivals in Peru is a key moment in the establishment of a local video art community, which attracted artists from diverse backgrounds and training. But the book also recognizes the vital role played by various projects and organizations that shaped the new media landscape in Peru through their multiple efforts. In that sense, as the title suggests, the new aesthetic dawn sought during the last decade of the 20th century effectively arrived through the combined efforts of many actors at the time, even if it went unrecognized at the time.
Publisher: ANDEAN HIGH TECHNOLOGY
Year of publication: 2018
ISBN: 978-612-47935-0-9
Pages: 591
Other topics covered in the book include the launch of video art competitions, regional initiatives focused on the medium, and the development of specific practices and languages, such as digital cinema, animation, video installation, and video performance. Tomorrow Was Today also includes a timeline of the emergence of video/TV and new media art in Peru, from 1939 to 2015, offering a clear and concise overview of this history.
By: Jorge Villacorta, José-Carlos Mariátegui, Max Hernández Calvo [ed.]
Publisher: ANDEAN HIGH TECHNOLOGY
Year of publication: 2018
ISBN: 978-612-47935-0-9
Pages: 591
This bilingual edition in English and Spanish brings together a series of essays and reflections on video art in Peru during the first two decades of the 21st century, and the overall impact of new media art on the cultural landscape, as well as its connections to other disciplines and other regional and international initiatives. In this history, as examined in the book's essays, the emergence of video and electronic art festivals in Peru is a key moment in the establishment of a local video art community, which attracted artists from diverse backgrounds and training. But the book also recognizes the vital role played by various projects and organizations that shaped the new media landscape in Peru through their multiple efforts. In that sense, as the title suggests, the new aesthetic dawn sought during the last decade of the 20th century effectively arrived through the combined efforts of many actors at the time, even if it went unrecognized at the time.
Publisher: ANDEAN HIGH TECHNOLOGY
Year of publication: 2018
ISBN: 978-612-47935-0-9
Pages: 591
Other topics covered in the book include the launch of video art competitions, regional initiatives focused on the medium, and the development of specific practices and languages, such as digital cinema, animation, video installation, and video performance. Tomorrow Was Today also includes a timeline of the emergence of video/TV and new media art in Peru, from 1939 to 2015, offering a clear and concise overview of this history.