Cuts, burns, punctures. Ishmael Randall Week.

S/ 100.00

250 numbered copies
18 x 13.5 cm.
74 pages
30 limited editions
2016

Although their color, texture, and origin suggest domestic memory, what this series perhaps wants to tell us is that these images are actually part of the country's public memory. And as part of the multi-channel installation from which they originally originate, they somehow cite, intentionally or unintentionally, the myth of the cave. And in this dark register, consequently, they are part of a desired yet elusive reality, like an ash-back, which also documents the period of massive territorial urbanization that redefined Peruvian life half a century ago.

250 numbered copies
18 x 13.5 cm.
74 pages
30 limited editions
2016

Although their color, texture, and origin suggest domestic memory, what this series perhaps wants to tell us is that these images are actually part of the country's public memory. And as part of the multi-channel installation from which they originally originate, they somehow cite, intentionally or unintentionally, the myth of the cave. And in this dark register, consequently, they are part of a desired yet elusive reality, like an ash-back, which also documents the period of massive territorial urbanization that redefined Peruvian life half a century ago.

250 numbered copies
18 x 13.5 cm.
74 pages
30 limited editions
2016

Although their color, texture, and origin suggest domestic memory, what this series perhaps wants to tell us is that these images are actually part of the country's public memory. And as part of the multi-channel installation from which they originally originate, they somehow cite, intentionally or unintentionally, the myth of the cave. And in this dark register, consequently, they are part of a desired yet elusive reality, like an ash-back, which also documents the period of massive territorial urbanization that redefined Peruvian life half a century ago.

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